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Macro photography tips with example photographs and images

Macro photography tips with example photographs and images

by Tanya Puntti

Macro photography tips, images and photographs

Shown below is a set of 10 amazing macro photographs. Each photograph includes an explanation of the camera equipment that was used and tips on how it was taken. While many of the images have been taken with a Canon EF 100mm f/2.8 Macro lens, the settings can be reproduced with any real macro lens. You’ll aslo notice they were photographed with an entry level DLSR camera from quite a few years back now! My point being, anyone with a DSLR camera can shoot awesome macro photographs.Click on each image to see a larger version of the photograph.

1. Hoverfly in flightmacro example of a hoverfly insect in flight

Photograph of a hoverfly in flight was taken with a Canon 400D SLR entry level camera, a Canon EF 100mm f/2.8 Macro lens and a Canon Macro Twin Lite MT-24EX flash.

Exposure shutter speed: 0.005 sec 1/200
Aperture: f/11
Focal Length: 100 mm
ISO Speed: 200
Exposure Program: Manual
Metering Mode: Pattern

Macro photography tip #1: If possible, use a ring flash or twin lite flash when shooting macro. It will allow you to shoot at a reasonable speed, yet enable you to keep the aperture on a high f/11 for sufficient depth of field. Of course, I understand it isn’t always possible for fellow DSLR photographers to purchase such equipment. No problem, keep reading for other tips.

via Macro photography tips with example photographs and images.

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Posted by on January 25, 2012 in Flash Photos, Inspiration, Macro, Worth a Look

 

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TUTORIAL: What’s your time of day? (Part 2) Shooting at Second Light

By tom dinning via Light Stalking

This is a guest post by Tom Dinning who, besides being a professional photographer, teacher and mini-celebrity in the Light Stalking community, has also shared some very popular tutorials in the forums and in other posts.

If you have recovered from my recent post on shooting at first light, you might be ready for something a little more sedate. Enjoy breakfast with your partner, have an extra cup of coffee, even suggest your partner might like to come along (…on second thoughts, tell him/her you’re going to the dentist). Today we are photographing in that lovely light after sunrise.

Second light – Botanic Gardens.

I call this second light because, although I hate getting up too early, my preference is still for the light before sunrise. Still, it’s a great time to be out and about, especially if you’ve pulled a ‘sicky’ from work to join me.

I’m heading for the local Botanic Gardens for no particular reason than it’s there. My kit is made up of the usual suspects: a wide zoom (14 -24mm) and mid (24-70mm) but I’ve added a macro and a long focal length (200mm) for good reason as you will see.

Today is bright and sunny so I make sure I have all my lens hoods and a hat (that’s for my balding head). The tripod is always with me. In my experience, this time of the day can be deceiving. There seems to be heaps of light about but the shadows are quite dark so there could be some moderately long shutter speeds, especially if I want an extended depth of field.

(If you’re a beginner and I’ve just lost you with that stuff about depth of field and shutter speed, ask someone on Light Stalking to explain it to you. They’re really good at that.)

In my part of the world, this time of the day always seems extra saturated with the colours and the tonal contrast is amazing. So, I take full advantage of this. It’s what I call ‘shooting for the conditions’. I can’t change the climate but I can learn to live with it.

My eyes immediately begin to search the landscape for places where this saturation and contrast brings out the best in the frame. Deep green shadows are avoided. Speckled light is hard to expose correctly so I move out into the open.

Botanic Gardens are designed. So it’s worth looking for vista’s, frames within your frame, and nooks that have been purposefully constructed to catch one’s eye.

The low angle of the Sun provides beautiful backlight, rimming the tree trunks and highlighting the foliage. I walk and watch towards the Sun. seeking out long shadows that can be used to lead the eye.

Foreground and background are important but it’s easy to clutter the frame with too much. To avoid this, I take full advantage of my walking shoes and seek the best perspective before shooting; always endeavoring to keep that sun in the background.

‘But shooting into the sun?’ I hear you say. With a bit of maneuvering, the sun can be tucked behind some foliage or a tree trunk. You will need to  watch that histogram for blow-outs (sorry, there’s nothing wrong with the tires on your car). If you’re not sure how to use it, read the Light Stalking article on how to read a histogram.

Go for detail in the shadows if you can and let the sun burn out a bit behind the trees. It gives a nice halo effect and gives the impression of a brilliant sunny day. But don’t overdo it.

Since it’s usually quiet this time of the morning there’s always an opportunity for a self-portrait. Seats are placed strategically among the trees for effect as well as rest, so include them in your shots.

Also look for those special plants, unusual textures, surprising angles and, of course, the obligatory close-up.

One thing I learnt from this trip was to watch where I leave my kit. This is the time when the gardeners are testing their sprinkler system. At least it saves me washing this week.

For some reason, Botanic Gardens are not heavily frequented by wildlife. I have more birds in my back yard. I did find a few grazing geese and a spider, but other than a stray dog and a dead cane toad, I was the only animal in the park – and even my zoological status has been questioned by some.

Now its time to finish up. You’ll have enough time to download this lot before settling on a nice lunch and a glass of Chard. Then prepare yourself for the midday run.

Thanks for joining me.

This is a guest post by Tom Dinning.

via Light Stalking » TUTORIAL: What’s your time of day? (Part 2) Shooting at Second Light.

 

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How To Choose The Right Lens For The Shot

via How To Choose The Right Lens For The Shot | Fstoppers.

If you are a budding photographer, you are probably a lot like I was when I first picked up a camera: somewhat naive about lenses. Knowing when to use a wide angle lens verses a telephoto lens is both a creative decision as well as a logistical one. Readers often ask which lenses to buy over at the Fstoppers Forum, and recently Mark Wallace shed a lot of light on the topic in his latest Adorama TV episode: Choosing The Right Lens. Not only does Mark talk about the practicalities of using one type of lens over another but he also demonstrates exactly how perspective, distortion, and compression look at different focal lengths. Knowing the tools of your trade is extremely important so if you haven’t tackled this topic yet we hope this will be useful. We have also outlined a few of our favorite photo and video lenses on our Lens Guide.

 
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Posted by on May 7, 2011 in General, Inspiration, Technique, Tutes & Tips, Worth a Look

 

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Composition based on your Lens

Image by blackcat79 via SXC

It’s always interesting to read what others suggest as ways to overcome difficulties when shooting. This article from Imagine Thatexplains how to be a Photographer and not a Lens Changer. That’s certainly a different way to look at things, particularly as having plenty of gear gives you so many options when composing. So which is better – having plenty of gear to help you capture every moment, or having minimal equipment and making do.From my perspective, I really think it does depend on the situation you are entering. If I’m going to an event or occasion, then I want to have at least two lenses with me to make the most of different lighting, different distances from subjects and to generally give me extra potential with shots. Carrying extra gear is always heavier, more cumbersome and it will slow you down when you need to change lens from doing what you’re actually there for: taking pictures. However, if you are in an area where you need to cover a lot of different types of shots, having additional lenses and equipment can be a real life saver.If I’m shooting in a studio type environment, then it doesn’t matter if I have all my stuff piled up on the floor ready for me to pick and choose what I use. And at times like that, having a range of equipment is certainly a bonus.

However, having a lot of equipment is costly, so if you can make do with just one lens you will be forced to compose your shots differently. And this is where the Imagine That article shines – because it shows you how to compose based on limited possibilities.

And that makes it worth a look!

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Camera Equipment Image by blackcat79 via SXC
 
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Posted by on March 14, 2011 in Composition, Worth a Look

 

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